Childish Gambino is back. This track will move the room, though Glover still has a love affair with drastically switching beats midstream. That's always been a gimmicky beat-making move in my eyes, and it will never work when you start with as a strong, driving beat like this track runs over for 3/4 of the time.
Crazy use of the audio from the viral Charles Hamilton video at the end. If nothing else, Gambino is one of the most internet/tech age-in-tune artists out there these days.
The latest release from Gambino's Camp. I've never been a fan of videos diverging from the songs they're featuring, but at least he's always cinematic with his.
One look at Samantha Duenas, and you're instantly aware of her "talents". But let this L.A.-born, NYC-residing beauty near a turntable (or an iPad) and she transforms into SoSuperSam, her DJ alter ego, and you'll be overwhelmed by the kind of talent that doesn't require quotation marks. From her website:
Samantha seamlessly mixes by way of vinyl using a variety of genres, including 80s, 90s, Dance, Electronic, Hip Hop, Indie, R&B and Soul.
Her 2010 mixtape entitled “Cruel Summer” garnered significant attention, leading to clients such as Casio G-Shock, Complex Magazine, Steven Alan and Vans.
In 2011, Samantha began to hit the national and international circuit, playing along the East Coast, and as far as Singapore and Paris. She has had the opportunity to open for artists like Boyz II Men (Decca Records) and Dam Funk (Stonesthrow Records).
SOSUPERSAM is perhaps most familiarly known as the tour DJ for Childish Gambino (Glassnote Records). Her latest mixtape "This Way Up," was released on October25, 2011, shortly before Samantha joined Childish Gambino's "The Sign Up" tour.
This girl's got it all. And she's coming for the world next.
Here's something to power you through the start to your workweek: The latest single from Gambino's Camp. Once again, Donald Glover's artistic mind draws out a more abstract, cinematic view of the theme behind the song, and not so much on the song itself.
As for the song, though, I can say this: When I first heard it, it didn't really win me over. It seemed like just a cool little track about a girl, nothing that I would've put in the top half when ranking the tracks on Camp. But one night, on about the 10th or 11th rotation of the CD over my car's stereo, I suddenly caught on to the composition of the beat, and the complexity he achieved by weaving it in so tightly with both the momentum of his flow and the context of his lyrics in each verse. Now I think it may be his most polished track on the album.
That would be Donald Glover, a.k.a. Childish Gambino. The talented comedian/actor/writer/emcee talks with Forbes.com about his success and why he hopes he never "makes it".
We're living in a new day. The barrier between what a person is perceived as and who they really are is crumbling away, like the TV images of the Berlin Wall in 1989. No one knows this better than Donald Glover, who sat down with Timmhotep Aku in an interview for Jay-Z's blog, Life and Times.
L+T: Much of your music deals with people’s stereotypes, their assumptions and the labels they put on others. It’s like you’re trying to say that the average young black person is a lot more complicated, and complex than a lot of people would give him or her credit for. Right?
DG: That’s exactly what it is. I think you touched upon it with labels. That’s exactly what it is. People want to label you because it’s easy to understand. It’s easy for someone to see a black person and assume they like all these things because then you don’t have to learn anything and you don’t have to find out who that person really is. It’s the same thing with me doing comedy and rapping. It’s easy to be like, “Oh OK, Donald Glover is a comedian and every time I see him he’s going to be funny.” That’s easy to do and I think we’re in a way more complex world. No one does one thing, ever. No one’s ever done one thing. People are different things at the same time. Sometimes I’ll get girls that’ll be like “your lyrics are misogynistic” and I’m like “yeah, they are.” Sometimes I’m misogynistic, [but] like who isn’t? Everybody’s racist sometimes. Everyone—black people, white people…
This is a quick and very insightful interview with an intelligent and talented young black man who wants nothing more than for "black" to be the least-defining of those traits. Definitely worth the read.